风流寡妇 HD中字

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分类:喜剧片 美国 1934

导演:恩斯特·刘别谦   

剧情介绍

片名:《风流寡妇》

类型:喜剧片

上映时间:1934

上映地区:美国

导演:恩斯特·刘别谦

主演:莫里斯·舍瓦利耶,珍妮特·麦克唐纳,爱德华·艾沃瑞特·霍顿,尤娜·默克尔

集数: 完结

语言:英语

这部喜剧片《风流寡妇》是由【易美影院】精心推荐的,这部喜剧片表达了一个完整的故事,《风流寡妇》的剧情婉转充满悬念,经过《风流寡妇》的演员莫里斯·舍瓦利耶,珍妮特·麦克唐纳,爱德华·艾沃瑞特·霍顿,尤娜·默克尔等的倾情演绎之后,更加感人至深脍炙人口.这部由导演恩斯特·刘别谦指导拍摄的《风流寡妇》提供有英语等语种,在美国地区上映,并在1934年上映后吸引了大批的《风流寡妇》粉丝,想观看《风流寡妇》就上【易美影院】.

《风流寡妇》剧情简介:劉別謙初嚐美高梅大製作的派頭,一切筆法更神采飛揚。開敞的場景、空前的排場讓人物裏裏外外恣意張開:寡婦的心更顯孤獨,男女的愛更加沒處安放。坐擁小國大部分財富的寡婦忽然要搬到巴黎重新尋找生活色彩,國王唯恐國祚不保來一招美男計,派出風流種子色誘寡婦。本來一個用情一個求性,幾番邂逅與折騰,改寫了男男女女的基本需要。歌與舞沒有賣弄甜膩,反而放在愛情的沉重中換來了歌頌。歌與影無間交流,劉別謙輕歌劇巔峰之作,亦成了荷里活極有代表性的一章。司花利亞與珍娜.麥當奴最後一次合作,後者散發從未有過的成熟韻味。堪稱最性感的音樂劇。  Rated the sexiest musical in the thirties, The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald, sensual and majestic as a Persian cat, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands, the king sends a romantic envoy to court her. He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's girls, girls, girls. Osé but not blasé, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls.  Source 28th HKIFF

劉別謙初嚐美高梅大製作的派頭,一切筆法更神采飛揚。開敞的場景、空前的排場讓人物裏裏外外恣意張開:寡婦的心更顯孤獨,男女的愛更加沒處安放。坐擁小國大部分財富的寡婦忽然要搬到巴黎重新尋找生活色彩,國王唯恐國祚不保來一招美男計,派出風流種子色誘寡婦。本來一個用情一個求性,幾番邂逅與折騰,改寫了男男女女的基本需要。歌與舞沒有賣弄甜膩,反而放在愛情的沉重中換來了歌頌。歌與影無間交流,劉別謙輕歌劇巔峰之作,亦成了荷里活極有代表性的一章。司花利亞與珍娜.麥當奴最後一次合作,後者散發從未有過的成熟韻味。堪稱最性感的音樂劇。  Rated the sexiest musical in the thirties, The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald, sensual and majestic as a Persian cat, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands, the king sends a romantic envoy to court her. He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's girls, girls, girls. Osé but not blasé, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls.  Source 28th HKIFF

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