奥莉维娅 HD中字

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分类:剧情片 法国 1951

导演:Jacqueline  Audry   

剧情介绍

片名:《奥莉维娅》

类型:剧情片

上映时间:1951

上映地区:法国

导演:Jacqueline,Audry

主演:Marie-Claire,Olivia,Yvonne,de,Bray

集数: 完结

语言:法语

这部剧情片《奥莉维娅》是由【易美影院】精心推荐的,这部剧情片表达了一个完整的故事,《奥莉维娅》的剧情婉转充满悬念,经过《奥莉维娅》的演员Marie-Claire,Olivia,Yvonne,de,Bray等的倾情演绎之后,更加感人至深脍炙人口.这部由导演Jacqueline,Audry指导拍摄的《奥莉维娅》提供有法语等语种,在法国地区上映,并在1951年上映后吸引了大批的《奥莉维娅》粉丝,想观看《奥莉维娅》就上【易美影院】.

《奥莉维娅》剧情简介:大概是法国第一部描写女同志的故事片吧。  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

大概是法国第一部描写女同志的故事片吧。  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

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