片名:《一曲相思未了情[电影解说]》
类型:短剧
上映时间:1960
上映地区:美国
导演:查尔斯·维多,乔治·库克
主演:德克·博加德,卡普西尼,吉内瓦维·佩吉
集数: 完结
语言:
这部短剧《一曲相思未了情[电影解说]》是由【易美影院】精心推荐的,这部短剧表达了一个完整的故事,《一曲相思未了情[电影解说]》的剧情婉转充满悬念,经过《一曲相思未了情[电影解说]》的演员德克·博加德,卡普西尼,吉内瓦维·佩吉等的倾情演绎之后,更加感人至深脍炙人口.这部由导演查尔斯·维多,乔治·库克指导拍摄的《一曲相思未了情[电影解说]》提供有等语种,在美国地区上映,并在1960年上映后吸引了大批的《一曲相思未了情[电影解说]》粉丝,想观看《一曲相思未了情[电影解说]》就上【易美影院】.
《一曲相思未了情[电影解说]》剧情简介：In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.Copyright © 2015-2020 All Rights Reserved
