血玫瑰[电影解说] 电影解说

评分:
6.0 推荐

分类:短剧 法国 1970

导演:Claude  Mulot   

剧情介绍

片名:《血玫瑰[电影解说]》

类型:短剧

上映时间:1970

上映地区:法国

导演:Claude Mulot

主演:Philippe Lemaire,Anny Duperey,Elizabeth Teissier,Olivia Robin,Michèle Perello,Valérie Boisgel

集数: 完结

语言:

这部短剧《血玫瑰[电影解说]》是由【易美影院】精心推荐的,这部短剧表达了一个完整的故事,《血玫瑰[电影解说]》的剧情婉转充满悬念,经过《血玫瑰[电影解说]》的演员Philippe Lemaire,Anny Duperey,Elizabeth Teissier,Olivia Robin,Michèle Perello,Valérie Boisgel等的倾情演绎之后,更加感人至深脍炙人口.这部由导演Claude Mulot指导拍摄的《血玫瑰[电影解说]》提供有等语种,在法国地区上映,并在1970年上映后吸引了大批的《血玫瑰[电影解说]》粉丝,想观看《血玫瑰[电影解说]》就上【易美影院】.

《血玫瑰[电影解说]》剧情简介:The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986.  An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film.  The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn.  Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings.  Was the above comment useful to you

The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986.  An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film.  The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn.  Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings.  Was the above comment useful to you
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